Art Convergences Essay Literature

Art Convergences Essay Literature-10
A final section discusses the Preservation, Archiving and Dissemination (PAD) initiative of the Electronic Literature Organization, including the Electronic Literature Collection Volume I and the two white papers that are companion pieces to this essay, "Acid Free Bits" and "Born Again Bits." Intended audiences include scholars, administrators, librarians, and funding administrators, respectively, who are new to electronic literature and for whom it is hoped this essay will serve as a useful introduction.Because this essay is the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.Corinna Wollf’s essay,within the context of the biennale.

A final section discusses the Preservation, Archiving and Dissemination (PAD) initiative of the Electronic Literature Organization, including the Electronic Literature Collection Volume I and the two white papers that are companion pieces to this essay, "Acid Free Bits" and "Born Again Bits." Intended audiences include scholars, administrators, librarians, and funding administrators, respectively, who are new to electronic literature and for whom it is hoped this essay will serve as a useful introduction.Because this essay is the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.Corinna Wollf’s essay,within the context of the biennale.

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For eligibility, writers must be 18 years of age or older and cannot have published more than three pieces in national or international magazines.

This year, an international jury of writers and art professionals reviewed the submissions.

She deconstructs how Indigenous voices and artworks disrupt and enhance the rhythms of the city, converging to form a new musical experience to urban life.

She is interested in a navigational art of experience, and by interpreting life and love and pain as sound, Georgeson-Usher allows us to experience a startling and raw and vulnerable rhythm to the landscape around us, causing us to acknowledge the different voices of the diverse choir that compose it.” — Heather O’Neill“In Phanuel Antwi’s text on Lesley Loksi Chan’s body of work ‘ACCORDING TO WHETHER,’ he mentions that ‘complexities rest in bodies.’ Discussing the ways that Chan’s material practice speaks to wider social implications, Antwi’s writing requires of the reader that we acknowledge and reckon with the complexities that lie within our own bodies, and how we carry this into the world [in which] we live, work and make art.

It also discusses the central critical issues raised by electronic literature, pointing out that there is significant overlap with the print tradition.

At the same time, the essay argues that the practices, texts, procedures, and processual nature of electronic literature require new critical models and new ways of playing and interpreting the works.“In an accessible and lyrical manner, fusing memoir, poetry and academic text, [Georgeson-Usher] brings alive the sounds of her rural childhood and those of the streets of Montreal where she lived for many years.” “What makes Camille Georgeson-Usher’s piece so incredible is that its structure and language mirror the phenomena she is describing.In an accessible and lyrical manner, fusing memoir, poetry and academic text, she brings alive the sounds of her rural childhood and those of the streets of Montreal where she lived for many years.He has been politically active in organizing around a range of issues, including anti-immigration laws and practices, anti-colonialism and anti-capitalism, sex workers’ rights, labour rights within the university sphere and leadership opportunities for marginalized youth.He spends loads of time exploring questions of desire, the poetics of identity and the intimacies of everyday living.To be considered, applicants submitted an unpublished writing sample on an art-related subject.Georgeson-Usher’s submission, “Convergences as Rhythmic Disturbances—Indigenous Connections through Urban Navigation,” uses the concept of rhythmic spatialization to explore the effects of urban landscapes on Indigenous bodies, using personal prose and theory to connect rhythms, the cityscape and art.will be determined by a panel of judges and accepted authors (ONLY) will be notified by June 30, 2019, with a publication date in August 2019.Two 0 cash prizes, sponsored by the Richland Library Friends, will be awarded: The Saluda River Prize for Poetry and the Broad River Prize for Prose..Cover sheets MUST ONLY include your name, the title of your submission, your email address, and mailing address.Authors’ names should not appear on the submission. There is no fee to enter, but Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words per submission; essays to 1200 words; and poetry to three pages (standard font.) Please submit no more than a total of 5 single entries.

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