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Within the sonnet, the narrator spends time remembering and reflecting on sad memories of a dear friend.He grieves of his shortcomings and failures, while also remembering happier memories.Further into the quatrain the narrator uses the term cancelled to describe the relationship with past friends, as if the time with them have expired.
“I summon up remembrance of things past” (2) quite simply means in modern English, “I remember the things that happened in the past”. 2013 In my survey of Shakespeare's Sonnets, I have found it difficult to sincerely regard any single sonnet as inferior.
Nothing is note-worthy here except it continues to draw out the mood’s focal point. However, many of the themes could be regarded as rather trite.
In addition, this line shows the use of court or legal jargon with “sessions” which refers to the sitting of a court and “silent thought” is an almost literal translation of just thinking within your own head or remembering the past.
The remainder of the first quatrain sets up an entire scene of how and what causes the speaker to start to recollect.
The title is where it all begins, “When to the Sessions of Sweet Silent Thought”, the title itself sets the mood in which the reader can almost feel as if they are being taken back into their own thoughts and memories.
This single line helps set the rest of the sonnet up, line one derives from the title by starting again with the line “When to the sessions of sweet silent thought”, but can it really be said that that is the title an first line.
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“But the while I think on thee (dear friend) all losses are restored, and sorrows end” (lines 15-16).
Sonnet 30 is among the first group of sonnets (1-126), which are thought to concern a fair young man. While he suggests Petrarchan form by placing the chief pause after the eighth line in about 27 or so of the sonnets, in over two thirds of his sonnets he places the chief pause after the twelfth line instead. This is a metre based on five pairs of metrically weak/strong syllabic positions.
The original volume of 1609 is dedicated (by the publisher) to a "Mr. Occurring after much metrical tension throughout the quatrains, the couplet exhibits a quite regular iambic pentameter pattern: Differences in scansion, however, tend to be conditioned more by metrists' theoretical preconceptions than by differences in how they hear the line.