Jorge Luis Borges Autobiographical Essay

Jorge Luis Borges Autobiographical Essay-54
Borges has read every thing, and especially what nobody reads any more: the Cabalists, the Alexandrine Greeks, medieval philosophers.His erudition is not profound— he asks of it only flashes of lightning and ideas— but it is vast.Argentine by birth and temperament, hut nurtured on universal literature, Borges has no spiritual homeland.

Borges has read every thing, and especially what nobody reads any more: the Cabalists, the Alexandrine Greeks, medieval philosophers.His erudition is not profound— he asks of it only flashes of lightning and ideas— but it is vast.

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A measure of his unique genius is the coining of the word "Borgesian" to describe his creations, many of which are characterized by the hallucinatory and fantastic. The story itself is the next box, as one looks inside, and in it lies the border between reality and imagination, as one commonly understands these terms.

Borges has collaborated with Adolfo Bioy Casares under the pseudonyms of H(onorio) Bustos Domecq and B. This box is real because it exists in print, imaginary because Borges created it.

It offers critical assessments by leading scholars of the poetry of his youth and the later poetry and fiction, as well as of the 'canonical' volumes of the middle years.

Other chapters focus on key themes and interests, and on his influence in literary theory and translation studies.

However, Borges has been accessible in English only through a number of anthologies drawn mainly from his work of the 1940s and 1950s.

The primary aim of this Companion is to provide a more comprehensive account of Borges's oeuvre and the evolution of his writing.

Jorge Luis Borges (1899–1986) was one of the great writers of the twentieth century and the most influential author in the Spanish language of modern times.

He had a seminal influence on Latin American literature and a lasting impact on literary fiction in many other languages.

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